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Nathanael Gregory Myers

ABOUT

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BIO

NATHANAEL MYERS is a creator and mover from the Sonoran Desert. With a BFA in Studio Art from the University of Arizona (UofA), Myers has shown his work in multiple solo exhibitions in Tucson, AZ, and Brooklyn, NY. Additionally, he has participated in group exhibitions at the United Nations, the Tucson Museum of Art, the Museum of Contemporary Art - Tucson, and has sold work through Christie’s Auction House in New York City. Myers has been recognized through NPR’s Arizona Public Media, the Community Foundation for Southern Arts, the Arizona Commission of the Arts, UrbanGlass, the Rauschenberg Grant through the NYFA, and as a Fulbright semi-finalist. Recent endeavors include a Writing Fellowship through the Honors College at UofA, an Artistic Fellowship under a Dickie’s x COLLAB partnership, and positions as Creative Director with Peter Sandel Design and Choreographer for the off-broadway musical, Only Place I Belong.

Currently, he pursues a Master's degree in Bio-Integrated Architectural Design at the University College of London, with artistic pursuits formalized through stained-glass, immersive story-telling, and crafting space for community.

STUDIO CONTACT: nathanaelgregorymyers@gmail.com

/ DIGITAL PORTFOLIO

/ DANCE RESUME

/ DANCE REEL

/ CV

 
 
Highway A11 by San Giovanni Battista Stained glass by Chagall Campi Bisenzio, Italy Bio-ID Field Trip ‘23 📷: @thereforssm [image 1,3,4]
Glimpses of the world building of Sweeney Todd, reimagined to an abandoned 1990s American Mall in London, Arkansas. Scenic designing from across the ocean calls for many jenky iPhone drawings, sleepy-faced video chats, and nimble editing choices &mda
some movement exploration amongst the pigment fields of @mandyelsayegh at @lehmannmaupin 🙏🏻 thank you for the opportunity to activate the gallery space in a unique way, doubling as open resource for dancers of the City.
‘oleophilic assemblage’ collaborators: @andrita.xyz @yikess.jpg inspirations: spiral jetty, lily pads, buttress roots, Christo + Jeanne Claude, and sunken 70s living rooms A 5 week project with @bio_id feels like a sprint, but this spec
“The truth doesn’t care about our needs or wants, it doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl, where I once would fear the cost
Term 1 with @bio_id has ended with a draft submission of the first collaborative design project. While just a draft I’m quite proud of my group mates @andrita.xyz @yikess.jpg for crafting a design centered on bio-remediation of an oil spill alo
 

Photography: Grace Copeland (banner) Ramuel Galarza (main) Paolo Veranzi + Kevin Kim (body)