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Nathanael Gregory Myers

ABOUT

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BIO

Myers is an Creative Director, architectural//set//bio-integrated -- Designer, Interdisciplinary Artist, and Performer from the Sonoran Desert. Centerfold to his creative career is experimental storytelling, journalistic research, and equitable social change through intersectional design. He holds a M.Arch from the University College of London, Bartlett School of Architecture, in Bio-Integrated Design, a program situated between the disciplines of biochemistry and the built environment. There his research ranged from material science, to systematic/life-cycle design, utilizing Nature as a collaborator within the design process.

With a BFA in Two-Dimensional Art [painting + drawing] from the University of Arizona, his practice formalizes through the mediums of stained glass, mixed media paintings, installation and sculpture. In a pluralistic pursuit of balancing many crafts and techniques, Myers has mapped his praxis of creativity as an integrated ecosystem, finding equilibrium amongst the ecotones, finding sensibility of an unorthodox yet sound career.

Significant opportunities of recent have toggled sectors amongst academia, the arts, and sciences: premiering his stained glass work at London Fashion Week with designer Hector Maclean, presenting his thesis work with IAAC Responsive Cities Symposium in Barcelona, as well as his masters group dissertation at Innsbruck University’s Towards Integrated Design Symposium published by Cambridge Press, and an international artist residency with PADA in Lisbon, Portugal researching post-industrial landscapes, interventions of architectural negative space, and sculptural stained glass.

STUDIO CONTACT: nathanaelgregorymyers@gmail.com

/ PORTFOLIO

/ DANCE RESUME

/ DANCE REEL

/ CV

 
 
days of change. Perhaps it’s thirty-two solar rotations or the sprint finish of a master’s. Regardless, the whiplash of change is more concentrated these days. From being the ultimate tourist with a lanyard speaker box exploring England
Highway A11 by San Giovanni Battista Stained glass by Chagall Campi Bisenzio, Italy Bio-ID Field Trip ‘23 📷: @thereforssm [image 1,3,4]
Glimpses of the world building of Sweeney Todd, reimagined to an abandoned 1990s American Mall in London, Arkansas. Scenic designing from across the ocean calls for many jenky iPhone drawings, sleepy-faced video chats, and nimble editing choices &mda
some movement exploration amongst the pigment fields of @mandyelsayegh at @lehmannmaupin 🙏🏻 thank you for the opportunity to activate the gallery space in a unique way, doubling as open resource for dancers of the City.
‘oleophilic assemblage’ collaborators: @andrita.xyz @yikess.jpg inspirations: spiral jetty, lily pads, buttress roots, Christo + Jeanne Claude, and sunken 70s living rooms A 5 week project with @bio_id feels like a sprint, but this spec
“The truth doesn’t care about our needs or wants, it doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl, where I once would fear the cost
Term 1 with @bio_id has ended with a draft submission of the first collaborative design project. While just a draft I’m quite proud of my group mates @andrita.xyz @yikess.jpg for crafting a design centered on bio-remediation of an oil spill alo
Isn’t time a tricky little thing? Relentlessly pushing us forward, taking sweet moments to the winds without the correct perspective. To my disbelief I’ve been in London for a month now and thought it would be healthiest for me to pause i
For my first project with @bio_id // @bartlettarchucl we were given the prompt of soil. Quite broad and extremely complex when considering remediation and the scale of systems at play, yet the pedosphere is the most dynamic in biodiversity. Here
 

Photography: Grace Copeland (banner) Ramuel Galarza (main) Paolo Veranzi + Kevin Kim (body)