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Nathanael Gregory Myers

ABOUT

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BIO

NATHANAEL MYERS is an architectural bio-designer, interdisciplinary creative, and dancer from the Sonoran Desert. Awarded ‘distinction,’ he recently graduated with an MArch in Bio-Integrated Architectural Design from the University College of London, with an emphasis in biochemistry. Throughout his studies, projects focused on mitigating hyperobject concerns, including oil remediation, programmed material degradation, and functional ornamentation for augmented weathering. 


With a BFA in Two-Dimensional Art [painting + drawing] from the University of Arizona, his artistic pursuits are formalized through stained glass, immersive storytelling, and set design. Exhibiting his work in multiple solo exhibitions across the States, notable group exhibitions include the United Nations, Tucson Museum of Art, Museum of Contemporary Art [Tucson], and Christie’s, New York. Myers has been recognized by NPR’s Arizona Public Media, Community Foundation for Southern Arts, Arizona Commission of the Arts, UrbanGlass, and New York Foundation for the Arts through the Rauschenberg Grant and as a Fulbright semi-finalist. Recent endeavors include a Writing Fellowship through his alma mater, Honors College; an Artistic Fellowship under the partnership of Dickie’s x COLLAB Innovation and Fabrication Lab; holding positions as Creative Director with Peter Sandel Design, Choreographer for the off-broadway musical, Only Place I Belong, and Designer for the Arts One Presents production of Sweeney Todd. In pursuit of a renaissance balancing of many crafts, Myers pursues creative opportunities with an erudite study of the arts and sciences.

STUDIO CONTACT: nathanaelgregorymyers@gmail.com

/ DIGITAL PORTFOLIO

/ DANCE RESUME

/ DANCE REEL

/ CV

 
 
days of change. Perhaps it’s thirty-two solar rotations or the sprint finish of a master’s. Regardless, the whiplash of change is more concentrated these days. From being the ultimate tourist with a lanyard speaker box exploring England
Highway A11 by San Giovanni Battista Stained glass by Chagall Campi Bisenzio, Italy Bio-ID Field Trip ‘23 📷: @thereforssm [image 1,3,4]
Glimpses of the world building of Sweeney Todd, reimagined to an abandoned 1990s American Mall in London, Arkansas. Scenic designing from across the ocean calls for many jenky iPhone drawings, sleepy-faced video chats, and nimble editing choices &mda
some movement exploration amongst the pigment fields of @mandyelsayegh at @lehmannmaupin 🙏🏻 thank you for the opportunity to activate the gallery space in a unique way, doubling as open resource for dancers of the City.
‘oleophilic assemblage’ collaborators: @andrita.xyz @yikess.jpg inspirations: spiral jetty, lily pads, buttress roots, Christo + Jeanne Claude, and sunken 70s living rooms A 5 week project with @bio_id feels like a sprint, but this spec
“The truth doesn’t care about our needs or wants, it doesn’t care about our governments, our ideologies, our religions. It will lie in wait for all time. And this, at last, is the gift of Chernobyl, where I once would fear the cost
Term 1 with @bio_id has ended with a draft submission of the first collaborative design project. While just a draft I’m quite proud of my group mates @andrita.xyz @yikess.jpg for crafting a design centered on bio-remediation of an oil spill alo
Isn’t time a tricky little thing? Relentlessly pushing us forward, taking sweet moments to the winds without the correct perspective. To my disbelief I’ve been in London for a month now and thought it would be healthiest for me to pause i
For my first project with @bio_id // @bartlettarchucl we were given the prompt of soil. Quite broad and extremely complex when considering remediation and the scale of systems at play, yet the pedosphere is the most dynamic in biodiversity. Here
 

Photography: Grace Copeland (banner) Ramuel Galarza (main) Paolo Veranzi + Kevin Kim (body)